Redouté Les Lilacées Pl. 52, Hanging Lachenalia

From the imperial French garden at Malmaison to your home, the Oppenheimer Editions Redouté Les Lilacées Pl. 52, Hanging Lachenalia promises to elevate and refine any space.

Printed with archival pigment on rag watercolor paper, this facsimile print faithfully captures the delicate detail of Redouté’s original stipple engraving. Elevate your environment with a flower from the empress Josephine’s garden!

About Les Liliacées

Produced under the patronage of Josephine Bonaparte, Empress of France, Pierre-Joseph Redouté’s Les Liliacées contained 503 plates detailing the various plant species of and related to the lily family. Produced from 1802 – 1816, the plates are drawn from Empress Josephine’s extensive collection of plants in her gardens at Malmaison, where Redouté worked as a botanical artist. This folio is often considered to be Redouté’s masterpiece due to the scope, breadth, and quality of its contents.

The Oppenheimer Editions publication of Pierre-Joseph Redouté’s Les Liliacées offers these magnificent 19th-century artworks as modern fine art prints. In a limited edition of 200, our modern prints are made with the finest quality archival pigments on rag watercolor paper and executed to exacting standards.

About Pierre-Joseph Redouté

Recognized as the royal designer and painter for three successive French Empresses, Marie-Antoinette, Josephine Bonaparte, and Marie-Amelie, Belgian artist Pierre-Joseph Redouté etched his name into the history of botanical art through his magnificent floral folios. Three of his major works, Les Liliacées, Les Roses, and Choix des plus belles fleurs, were produced under royal patronage and depict plants from the French imperial gardens. His botanical prints, rendered through the innovative technique of stipple engraving, received a fervent welcome and were praised for their soft modulation of form and delicate coloring.

Despite the political tumult that characterizes turn-of-the-century France, from the overthrow of the Bourbon empire, the reign of Napoleon, and the July Revolution of 1830, Redouté continued to methodically produce beautifully serene folios of flowers in stark contrast to his violent historical backdrop. His work was highly respected in his time and continues to be prized today.

About Oppenheimer Editions

Established in 1999, our publishing company Oppenheimer Editions was developed in order to produce modern facsimiles of historic works of art. Marrying cutting-edge digital printing technologies with canonical works of art, Oppenheimer Editions has partnered with prestigious museums to make their holdings accessible to the public as fine art prints. Works from the New-York Historical Society’s unrivaled collections of John James Audubon’s watercolors and the Hudson River School paintings are examples of art that otherwise would be unobtainable.

Among the institutional collections we have partnered with are the American Museum of Natural History, the Field Museum, and the Royal Botanic Gardens at Kew. Our Oppenheimer Editions prints are not mere reproductions. Rather, they are limited-edition fine art prints made with the finest quality archival pigments on rag watercolor paper and executed to exacting standards.

For more information about the Oppenheimer Editions Redouté Redouté Les Lilacées Pl. 52, Hanging Lachenalia, email us at [email protected] or check out our articles Plant Mutations in the Botanical Prints of Pierre-Joseph Redouté, The Historical Significance of Botanical Illustration, and The Interrelation between Natural History Art and Porcelain Ornamentation.

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